collection | celestial epics | I | II – anarchitectures

II – anarchitectures

LESAGE Augustin

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LESAGE Augustin

STROBL Leopold

STROBL Leopold

RIZZOLI Achile

ALBERT

ALBERT

ANONYME E.S.G.

ANONYME E.S.G.

ANONYME E.S.G.

ANONYME E.S.G.

ANONYME E.S.G.

ANONYME E.S.G.

ANONYME E.S.G.

ANONYME E.S.G.

ANONYME E.S.G.

ANONYME E.S.G.

BARCELLA Christophe

CREPIN Fleury-Joseph

CREPIN Fleury-Joseph

CREPIN Fleury-Joseph

CREPIN Fleury-Joseph

BUONGERMINI Gustavo Enrique

BUONGERMINI Gustavo Enrique

DE MAURI Diego

GOESCH Paul

GOESCH Paul

KATSUHIRO Terao

 

 

MOINDRE Joseph

NIKIFOR

NIKIFOR

OKAWA Makoto

PATZ PATERMANN Angelika

PODHORSKY John

PODHORSKY John

PODHORSKY John

PUJOLLE Guillaume

ROMANENKOV Vasilij

SEMERAK Zbynek

SEMERAK Zbynek

SHARLHORN Welmon

SHARLHORN Welmon

WEY Aloïs

BRENNER Félix

BRENNER Félix

GAITAN Pepe

GAITAN Pepe

GAITAN Pepe

A.C.M.

YOAKUM Joseph Elmer. Mt Japno in Khesia Hills near Central Pakistan East Indie East Asia, 31. December 1970. 30,3 x 48,4 cm

YOAKUM Joseph Elmer. Mt Pace + Mt Monadnock near Manchester New Hampshire USA. 13. November 1969. Stylo à bille et crayon de couleur, signature au crayon rose. 48,2 x 60,9 cm

collection | celestial epics | I | II – anarchitectures

II – anarchitectures

To erect, build, raise, lift, and ascend toward the sky; to stand upright. These are just some of the words that come to mind when contemplating these architectures, whether modest or monumental—manifestations of a mental landscape within physical space, intimate geographies imbued with spiritual resonance.
To transform a pale and unyielding external world into a triumph; to impose order and stability upon it; to build one’s own kingdom and, in doing so, forge new connections between art, science, philosophy, and spirituality—is this not an affirmation of vitality, perhaps the most remarkable adventure of human creativity?