A few diaries from the 1970s are all that Maria Reinshasen, a patient at a German psychiatric clinic, left behind after her death. Her way of working with the motif of the cross is as mysterious as her life, about which we know nothing.
A few diaries from the 1970s are all that Maria Reinshasen, a patient at a German psychiatric clinic, left behind after her death. Her way of working with the motif of the cross is as mysterious as her life, about which we know nothing.